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Jonathan Earl Franzen (born August 17, 1959) is an American novelist and essayist. His 2001 novel The Corrections, a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted Libertà (Supercoralli) for the International Dublin Literary Award. His novel Freedom (2010) garnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist".[3][4]
Franzen has contributed to The New Yorker magazine since 1994. His 1996 Harper's essay "Perchance to Dream" bemoaned the state Libertà (Supercoralli) of contemporary literature. Oprah Winfrey's book club selection in 2001 of The Corrections led to a much publicized feud with the talk show host.[5] In recent years, Franzen has become recognized for his opinions on everything from social networking services such as Twitter ("What happens to the people who want Libertà (Supercoralli) to communicate in depth, individual to individual, in the quiet
and permanence of the printed word?";[6] "the actual substance of our daily lives is total electronic distraction"[7]) to the impermanence of e-books ("All the real things, the authentic things, the honest things, are dying off.")[8][9] and the self-destruction of America.[10]
Libertà (Supercoralli) Franzen was born in Western Springs, Illinois,[11] the son of Irene (née Super) and Earl T. Franzen.[12][13] His father, raised in Minnesota, was the son of an immigrant from Sweden; his mother's ancestry was Eastern European. Franzen grew up in an old neighborhood, on 83 Webster Woods Drive in Webster Libertà (Supercoralli) Groves, a suburb of St. Louis, Missouri, and graduated from Swarthmore College with a degree in German in 1981.[14] As part of his undergraduate education, he studied abroad in Germany during the 1979–80 academic year with Wayne State University's Junior Year in Munich program. While there, he met Michael A. Libertà (Supercoralli) Martone, on whom he would later base the character Walter Berglund in Freedom.[15] He also studied on a Fulbright Scholarship
at Freie Universität Berlin in Berlin in 1981-82;[16] he speaks fluent German. Franzen was married in 1982 and moved with his wife to Somerville, Massachusetts to pursue a career as Libertà (Supercoralli) a novelist. While writing his first novel, The Twenty-Seventh City, he worked as a research assistant at Harvard University's Department of Earth and Planetary Sciences, coauthoring several dozen papers.[17] In September 1987, a month after he and his wife moved to New York City, Franzen sold The Twenty-Seventh City to Libertà (Supercoralli) Farrar Straus & Giroux.[18]
The Twenty-Seventh City, published in 1988, is set in Franzen's hometown, St. Louis, and deals with the city's fall from grace, St. Louis having been the "fourth city" in the 1870s. This sprawling novel was warmly received and established Franzen as an author to watch.[19] In Libertà (Supercoralli) a conversation with novelist Donald Antrim for Bomb Magazine, Franzen described The Twenty-Seventh City as "a conversation with the literary figures of my parents' generation[,] the great sixties and
seventies Postmoderns.",[20] adding in a later interview "I was a skinny, scared kid trying to write a big novel. The Libertà (Supercoralli) mask I donned was that of a rhetorically airtight, extremely smart, extremely knowledgeable middle-aged writer."[21]
Strong Motion (1992) focuses mainly on a dysfunctional family, the Hollands, and uses seismic events on the American East Coast as a metaphor for the quakes that occur in family life (as Franzen put it, Libertà (Supercoralli) "I imagined static lives being disrupted from without—literally shaken. I imagined violent scenes that would strip away the veneer and get people shouting angry moral truths at each other."[21]). A 'systems novel', the key 'systems' of Strong Motion according to Franzen are "... the systems of science and religion—two violently Libertà (Supercoralli) opposing systems of making sense in the world."[21] The novel was not a financial success at the time of its publication. Franzen subsequently defended the novel in his 2010 Paris Review interview, remarking "I think they [critics and readers] may
be overlooking Strong Motion a little bit."[21]
Franzen taught a Libertà (Supercoralli) fiction-writing seminar at Swarthmore in the spring of 1992 and 1994:
On that first day of class, Franzen wrote two words on the blackboard: “truth” and “beauty,” and told his students that these were the goals of fiction. Haslett describes Franzen’s classroom manner as “serious.” “He meant what he said Libertà (Supercoralli) and didn’t suffer fools gladly.” But this seriousness was leavened by a “great relish for words and writing,” adds Kathleen Lawton-Trask ’96, a 1994 workshop student who is now a writer and high school English teacher.
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